Emanuel und Henrik Moor Stiftung
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Verzeichnis der Werke von Emanuel MoórDie mit * versehenen Werke sind in der Stiftung vorhanden. | |||||
| Opus | Beschreibung | Jahr | Verlag | Widmung | |
| * | 1 | Pastorella for piano | Wetzler/Engelmann J. Hainauer 1907 | John Burke (sen.) | |
| * | 2 | Barcarolle for piano | Wetzler/Engelmann J. Hainauer 1907 | Anita Burke | |
| * | 3 | Valse Brillante for piano | Wetzler/Engelmann G. Schirmer 1887 J. Hainauer 1907 | Mrs. Theodore Hellmann | |
| * | 4 | Gavotte for piano in E flat major | 1886 | Wetzler/Engelmann J. Hainauer 1907 G. Schirmer 1887 | Mrs. G.A. Lewis |
| * | 5 | Humoreske for piano | 1887 | Wetzler/Engelmann J. Hainauer 1907 | W.H. Sherwood |
| * | 6 | Scherzoso for piano | Wetzler/Engelmann J. Hainauer 1907 | Eleanor Garrigue | |
| * | 7 | Ländliche Szene (Idylle) for piano | 1888 | Wetzler/Engelmann J. Hainauer 1907 | John Burke (jun.) |
| * | 8 | Praeludium for piano | 1888 | Wetzler/Engelmann J. Hainauer 1907 | Eleanor Garrigue |
| * | 9 | Toccata for piano | Wetzler/Engelmann J. Hainauer | Rafael Joseffy | |
| * | 10 | Polonaise Brillante for violin and piano | Menner und Schleunig | Viktor Daubrawski | |
| * | 11 | Valse Caprice for piano | Wetzler/Engelmann J.Hainauer 1907 | Clara Thoms | |
| * | 12 | Sonata in G for violin and piano | Wetzler/Engelmann | Pablo de Sarasate | |
| 13 | Valse Caprice No.2 for piano | Prochazka Am. Elite Edition | |||
| * | 13a | 16 Lieder | Schott | Rafael Moór | |
| (1: Letzter Wunsch (The last Wish) | Anita Moór | ||||
| 2: Gefunden (The Flower) | John Burke | ||||
| 3: Der Abschied (Parting) | Anita Moór | ||||
| 4: Die Bitte (The Request) | Max Heinrich | ||||
| 5: Abendlied (Evening Song) | Julia Cox | ||||
| 6: An Zuleikha (To Zuleika) | Mrs. H.D. Tretbar | ||||
| 7: An den Wind (To the Wind) | Mrs .H.D. Tretbar | ||||
| 8: Sehnsucht nach Ruhe (Longing for Rest) | Alice Garrigue | ||||
| 9: Wunsch (The Forest) | Willi Moór | ||||
| 10: Herbststimmung (Autumn Song) | Eleanor Garrigue | ||||
| 11: Liebestraum (Love´s Dream) | Lilli Lehmann | ||||
| 12: An die Geliebte (On Pinions Swift) | Herrn C.F. Tretbar | ||||
| 13: Wie des Mondes Abbild zittert (As the moon´s pale image trembles) | Willi Moór | ||||
| 14: Nur wer die Sehnsucht kennt (Only a Longing Heart) | Herrn C.F. Tretbar | ||||
| 15: Remembrance | Miss H.D. Campbell | ||||
| 16: Die Abendglocken (Bells of Eve) | Anita Moór) | ||||
| * | 14 | Consolation for piano | Wetzler/Engelmann J. Hainauer 1907 | Gertrude Gottheil | |
| 15 | |||||
| * | 16 | Serenade für Streichorchester | 1881 | Schott | |
| * | 16 | Serenade für Streichorchester arr. for piano ŕ 4 hands | Schott | ||
| * | 17 | No.1 Theme and Variations | Manuscript | Rafael Joseffy | |
| No.2 Toccata | |||||
| 18 | No.1 Melody | 1888 | Manuscript | Alice Heald | |
| No.2 Moment musical | |||||
| * | 19 | Quintett for piano and strings in C minor | 1888 | Gutmann | |
| * | 20 | Two Songs | 1888 | Gutmann | |
| (1: Wo blühen die Blumen so schön | Anita Burke | ||||
| 2: Winternacht | John Burke) | ||||
| * | 20a | Scherzo for piano | |||
| * | 21 | Sonata for violin and piano in A minor | 1888 | Gutmann | François Ondricek |
| 21a | Four songs | 1888 | Gutmann | ||
| * | 22 | Sonata for piano an cello in C minor | 1889 | Gutmann | Alfred Piatti |
| * | 23 | Sonata for violin and piano in A major | 1889 | Gutmann Breitkopf u. Härtel | Jenö Hubay |
| 24 | Variations and Fugue on a Hungarian Theme | Durdilly | |||
| * | 24a | Concert Ouverture for orchestra in D Minor | 1893 | Schott | George Henschel |
| * | 25 | Adagio for violin and piano | 1893 | Schott | |
| * | 25a | Allemande for piano | Durdilly | L. Emil Bach | |
| Allemande for piano | Manuscript | ||||
| 26 | Suite for piano and violin | Manuscript | |||
| 27 | |||||
| 28 | |||||
| 29 | |||||
| 30 | |||||
| * | 31 | Hungarian Dance No.1 for piano | Schott | ||
| * | 32 | Hungarian Dance No.2 for piano | Schott | ||
| * | 33 | Gavotte in A minor for piano | Schott Wm. Rohlfing, Wisc. | Anita Burke | |
| 34 | |||||
| 35 | |||||
| 36 | |||||
| * | 37 | Nocturne No.1 | Prochazka Schott Am. Elite Edition | Anita Burke | |
| * | 38 | Barcarolle for String Orchestra in D minor | 1895 | Eschig Simrock | Richard Gompertz |
| * | 38 | Barcarole for violin and piano in D minor | 1894 | Simrock | Richard Gompertz |
| * | 39 | Sicilienne for violin and piano | Simrock | ||
| * | 40 | Aria for cello and piano (also for violin and piano) | Simrock | David Popper | |
| 40a | Hungarian Dance No.1 for piano | Am. Elite Edition | |||
| * | 41 | Four Songs | 1895 | Simrock | |
| (1:O wag´ es nicht, mit mir zu scherzen | Selma Kronold-Koert | ||||
| 2: Wind, du unsichtbarer Wanderer | Selme Kronold-Koert | ||||
| 3:Die Spinnerin | Anita Moór | ||||
| 4: Friede | Lillian Henschel) | ||||
| * | 42 | Five Songs | 1895 | Simrock | |
| (1: Siehst du am Weg ein Blümlein stehn | Anita Moór | ||||
| 2: Ich hör ein Glöcklein klingen | Dorothea Hollins | ||||
| 3: Du grollest und schmollest | Georg Henschel | ||||
| 4: Komm, o Nacht | Georg Henschel | ||||
| 5: Kommen und Scheiden | Helen Henschel) | ||||
| 42a | Momento appassionato Concert Study for piano | Prochazka Am.Elite Edition | |||
| * | 43 | Four Songs | Schott Rozsavölgyi | ||
| (1: Mondnacht | |||||
| 2: Ein Vöglein wiegt | Minna Wirgmann | ||||
| 3: Liebesgruss | Ilona von Enyedy | ||||
| 4: Lass nicht dein Auge ) | |||||
| 43 | Etude Lyrique for piano | Prochazka | |||
| * | 44 | Serenade Hongroise for piano | Rozsavölgyi | ||
| * | 44a | Romance for piano | Prochazka Am. Elite Edition | Mrs. G.A.Lewis Anita Burke | |
| * | 45 | Symphony in D minor | 1896 | Rozsavölgyi | Anita Moór |
| 45a | Desire, Song for Soprano or Tenor | Am. Elite Edition | Lilli Lehmann | ||
| * | 46 | Piano Concerto in C minor arr. for two pianos | 1888 | Roszavölgyi | Thomán István |
| 46a | Piano Duet (4 hands) | Prochazka Am. Elite Edition | |||
| 47 | Fantasiestücke for piano No.1, Ballade | Manuscript | |||
| 48 | |||||
| 49 | |||||
| * | 50 | Suite for violin and piano in G minor | Alfred Schmid | Richard Rettig | |
| 50 | Suite for violin and orchestra in G minor | Alfred Schmid | Richard Rettig | ||
| * | 51 | Sonata for violin and piano in C major | Alfred Schmid | Henrik Moor | |
| * | 52 | Second Suite for violin and piano in E minor | Alfred Schmid | Richard Rettig | |
| * | 53 | Sonata for cello and piano in A minor | Alfred Schmid | Ludwig Lebell | |
| 53a | Symphony in A minor | 1901 | Manuscript | ||
| * | 54 | Sonata for violin and piano in G major | Alfred Schmid Mathot | Jacques Thibaud | |
| * | 55 | Sonata for cello and piano in G major | Alfred Schmid Siegel | A. Brandoukoff | |
| * | 56 | Sonata for violin and piano in E minor | Alfred Schmid Siegel | Anita Moór | |
| * | 57 | Concerto for piano and orchestra in D flat major | 1904 | Siegel | Marie Panthčs |
| 58 | |||||
| * | 59 | Quartett for strings in A major | 1905 | Siegel | Henri Marteau |
| * | 60 | Sonata for piano in C sharp minor | Siegel | Marie Panthčs | |
| * | 61 | First concerto for cello and orchestra in E major | 1905 | Siegel | Marguerite Caponsacchi |
| * | 62 | Concerto for violin and orchestra in G major | 1905 | Simrock | Henri Marteau |
| * | 63 | Improvisation on an original theme for orchestra | Siegel | Sigmund von Hausegger | |
| * | 64 | Second concerto for cello and orchestra in C sharp minor | 1906 | Siegel | Pablo Casals |
| * | 65 | Symphony No.6 in E minor | 1906 | Siegel | Volkmar Andreae |
| * | 66 | Concerto for violin and orchestra in E major | Siegel | Carl Flesch | |
| 67 | Symphony No.7 in C major | 1906 | Siegel | Mengelberg and the Concertgebouw Orch. | |
| * | 68 | No.1: Sonata for chromatic harp | Siegel | Hélčne Zielinska | |
| No.2: Prelude | |||||
| * | 69 | Concerto for two celli and orchestra in D major The Intermezzo is also arr. for piano) | Siegel | Pablo Casals and Guilhermina Suggia | |
| * | 70 | Triple Concerto for violin, cello, piano and orchestra in D minor | Siegel | A. Cortot, J. Thibaud, P. Casals | |
| * | 71 | Four Preludes for piano (also published separately) | Siegel | No.1: Else de Gerzabek | |
| No.2: Marie Panthčs | |||||
| No.3. Hélčne Zielinska | |||||
| No.4: Anita Burke-Moór | |||||
| * | 72 | Concerto for violin and orchestra in C major | 1908 | Siegel | Eugčne Ysa˙e |
| * | 73 | Suite for violin and strings (also arr. for violin or cello and piano) | Siegel | ||
| * | 74 | Sonata for piano and violin in A minor | Siegel | Eugčne Ysa˙e | |
| * | 74a | Trio for violin, cello and piano in E major | Manuscript | ||
| * | 74b | Sonata for chromatic harp or piano and cello | 1908 | Manuscript | |
| * | 75 | Pensées Symphoniques for orchestra | 1909 | Mathot | Anita Moór |
| * | 76 | Sonata for cello and piano in A minor | Mathot | Charles Kiesgen | |
| * | 77 | Suite for piano in D minor | Eschig | Bienvenido Socias | |
| 78 | Rhapsody for cello and orchestra in G minor | Mathot | Pablo Casals | ||
| * | 78 | Rhapsody for cello and piano in G minor | Mathot | Pablo Casals | |
| 79 | |||||
| * | 80 | Theme and Variations for piano | 1908 | Eschig | Elsa de Gerzabek |
| * | 81 | Trio for violin, cello and piano in C major | Mathot | Anita Burke-Moór | |
| * | 82 | Ten Esquisses for piano | Eschig | ||
| (1: Prélude | Gustave Lyon | ||||
| 2: Allegro | Gustave Lyon | ||||
| 3: Choral | Marie de Jaroslawska | ||||
| 4: Allegro | Willy Rehberg | ||||
| 5: Andante | Willy Rehberg | ||||
| 6: Allegro giocoso | Willy Rehberg | ||||
| 7: Élégie | Marie de Jaroslawska | ||||
| 8: Allegro con fuoco | Marie de Jaroslawska | ||||
| 9: Prélude | Marie de Jaroslawska | ||||
| 10: Andante (Allegro (?) | Marie de Jaroslawska) | ||||
| 82 | Ten Esquisses: No.1, No2 also for chromatic harp | Eschig | Gustave Lyon | ||
| 83 | Second Aria for violin and orchestra in D major | Eschig | Mary Cressy-Clavel | ||
| * | 83 | Second Aria for violin and piano in D major | Eschig | Mary Cressy-Clavel | |
| * | 84 | Rhapsody for violin and orchestra | Mathot | Jacques Thibaud | |
| 84 | Rhapsody for violin and piano | Mathot | Jacques Thibaud | ||
| * | 85 | Concerto for piano and orchestra in E flat major | Mathot | Harold Bauer | |
| * | 85 | Arrangement for two pianos | Mathot | ||
| * | 86 | Impressions for piano Nos. 1-6 | 1909 | Mathot | No.1: Euterpe Kebedgy |
| No.2: Emile Lamberg | |||||
| No.3: Gerard de Chamberet | |||||
| No.4: Emile Lamberg | |||||
| No.5: Graf Heiny Wesdehlen | |||||
| No.6: Dianti Leban | |||||
| 87 | Quartett for strings | Manuscript | |||
| 88 | Concertstück for piano and orchestra | Mathot | Maurice Dumesnil | ||
| * | 88 | Arrangement for two pianos | Mathot | Maurice Dumesnil | |
| * | 88a | Premier Recueil de Mélodies: | Mathot | Anita Moór | |
| (1: Bonjour mon cur (Ronsard) | |||||
| 2: Mignonne, allons voir (Ronsard) | |||||
| 3: Sonnet pour Marie (Ronsard) | |||||
| 4: Terre, ouvre moi (Ronsard) | |||||
| 5: A vous, Troupe légčre (J. du Bellay) | |||||
| 6: Chanson (Ronsard) | |||||
| 7: Quand je te vois (Ronsard)) | |||||
| * | 89 | Trio for piano, violin and cello in B flat major | Manuscript Abschrift: D. Gersing | Pablo Casals | |
| 90 | Cinq Impressions en forme de suite pour ochestre | 1910 | Manuscript | ||
| 90a | Ballade for piano (incomplete) | ||||
| * | 91 | Deuxičme Recueil de Mélodies: | Mathot | ||
| (1: Tristesse (A. de Musset) | Marie Leroy | ||||
| 2: Extase (V. Hugo) | Maurice Millioud | ||||
| 3: La Nuit (L. Bussy) | Marie Leroy | ||||
| 4: Menuets (F. Gregh) | |||||
| 5: Fuite de Centaures (J.M. de Hérédia) | Marie Leroy | ||||
| 6: Chanson | Marie Leroy) | ||||
| 92 | Symphony No.8 in A minor | 1910 | Manuscript | Anita Moór | |
| * | 93 | Rhapsody pour grand orchestre in A minor | 1909 | Mathot | Willem Mengelberg |
| * | 94 | Lieder | 1910 | Mathot | |
| (1: Wiegenlied (C. Brentano) | Madame Chevillard | ||||
| 2: Gretchen (J.W. Goethe) | Valentine Phiosophoff | ||||
| 3: Es fällt ein Stern (H. Heine) | Marie Leroy | ||||
| 4: Man glaubt, dass ich mich gräme (H. Heine) | |||||
| 5: Lebe wohl (Anonym)) | |||||
| * | 95 | Suite for four celli | Eschig | Casals, Salmon, Hekking, Alexanian | |
| 96 | |||||
| 97 | Quintett for piano and strings in C | ||||
| 98 | Concertstück for violin, cello and orchestra | 1909 | |||
| 98 | Arrangement for violin, cello and piano | 1909 | Mathot | ||
| * | 99 | Three pieces for chromaric harp | 1910 | Mathot | Pierre Bertheaume |
| (1: Andante maestoso | |||||
| 2: Etude | |||||
| 3: Humoresque ) | |||||
| * | 100 | Four Preludes for violin solo | 1909 | Mathot | Alfred Pochon |
| * | 101 | Largo for violin and piano | 1910 | Mathot | Prince N. Gagarine |
| * | 102 | Prelude for piano | Mathot | ||
| * | 103 | Second Sonata for piano in E flat major | 1910 | Mathot | Marie de Jaroslawska |
| * | 103a | Suite for Double Quintett | 1909 | Mathot | Pierre Sechiari |
| 104 | La jeune Tarentine, for mezzo soprano and piano | 1909 | Mathot | ||
| 105 | Largo for cello and orchestra | Manuscript | |||
| 105 | Largo for cello and piano | 1914 | Mathot | ||
| * | 106 | Second Suite for piano | 1910 | Mathot | Jean Huré |
| 107 | Pičce Symphonique | Manuscript | |||
| 108 | |||||
| * | 109 | Suite for violin and cello | 1910 | Mathot | A.Hekking, G. Enescu |
| * | 110 | Suite for two celli in E minor | 1910 | Mathot | P. Casals, G. Suggia |
| 111 | Three songs | Mathot | |||
| (1: Les trios fils d´or (Leconte de Lisle) | |||||
| 2: Plaintive Tourterelle (Th. Gautier) | |||||
| 3: La chanson du rouet (Leconte de Lisle)) | |||||
| * | 112 | Troisičme Recueil de Mélodies: | 1910 | Mathot | |
| (1: Thestilis (A. Chenier) | Anita Moór | ||||
| 2: Chanson des yeux (A. Chenier) | Anita Moór | ||||
| 3: L´Aube (A. Chenier) | Anita Moór | ||||
| 4: L´Etoile (A. Chenier) | Anita Moór | ||||
| 5: L´Appel (A. Chenier) | Anita Moór | ||||
| 6: La Mort d´Hercule (A. Chenier) | Félia Litvinne ) | ||||
| 113 | Concertstück for piano and orchestra | Mathot | |||
| 114 | Six Studies for piano | Manuscript | M. Dumesnil (No.5) | ||
| 115 | Minuet for piano | 1910 | M. de Jaroslawska | ||
| 116 | |||||
| * | 117 | Suite for cello and piano | 1911 | Mathot | Pablo Casals |
| * | 118 | Quatričme Receuil de Mélodies. | 1910 | Mathot | |
| (1: The lake Isle of Innisfree (W.B. Yeats | Anitan Moór | ||||
| 2: Romance (R.L. Stevenson) | Yvonne Burke | ||||
| 3: Ireland (Dora Sigerson) | Anita Moór | ||||
| 4: A white rose (John Boyle O´Reilly) | Anita Moór | ||||
| 5: It was a Lover and his Lass (Shakespeare) | Marie Leroy | ||||
| 6: A Litany (Phineas Fletcher) | Anita Moór | ||||
| 7: A Cradle Song (W.B. Yeats) | Marie leroy | ||||
| 8: Dirge (Shakespeare) | Fendall Pegram) | ||||
| 119 | |||||
| * | 120 | Nocturne for violin and piano in G minor | 1912 | Mathot | Maurice Dumesnil |
| * | 121 | Prelude and Fugue for piano | 1912 | Mathot | Maurice Dumesnil |
| * | 122 | Suite for cello solo | 1912 | Mathot | Pablo Casals |
| * | 123 | Prelude for cello and piano in E major | Mathot International Music Company 1945 | Pablo Casals | |
| 124 | Quatre Esquisses for orchestra | Manuscript | |||
| * | 124a | Intermezzo in G minor for piano | 1911 | Mathot | Mdme Gerard de Chamberet |
| 125 | |||||
| 126 | |||||
| 127 | Mass for soli, chorus and orchestra | Manuscript | |||
| 127 | Mass for soli, chorus and piano | Mathot | |||
| * | 128 | Prelude for cello and piano No.2 in D major | Mathot | Maria Löwensohn | |
| 129 | "Du temps des pianos Grčles" for piano | Manuscript | |||
| 130 | |||||
| 131 | |||||
| 132 | Chant Héroique for orchestra | Manuscript | |||
| * | 133 | Suite for three violins | 1912 | Mathot | Pablo Casals |
| * | 134 | Quatre Légendes for piano | Mathot | 1: Pablo Casals | |
| 2: Marie de Jaroslawska | |||||
| 3: Anita Moór | |||||
| 4: Maurice Dumesnil | |||||
| * | 135 | Three Lyric Pieces for piano | 1912 | Mathot | |
| (No.1 | Robert Pollak | ||||
| No.2 | |||||
| No.3) | |||||
| * | 136 | Intermezzo for piano No.2 "all` antico" | Mathot | Maurice Dumesnil | |
| 137 | Etude for piano or chromatic harp | ||||
| 138 | Stabat Mater, for Alto solo, women´s chorus and orchestra | Manuscript | Marie Leroy | ||
| * | Stabat Mater, for Alto solo, women´s chorus and organ or piano | Mathot | Marie Leroy | ||
| 139 | Pičce Lyrique for string quartet | Manuscript | Alfred Pochon | ||
| 140 | |||||
| 141 | Concerto for chromatic harp and orchestra | ||||
| Concerto for chromatic harp and piano | Manuscript | Mlle Renée Lčners | |||
| 142 | Suite for piano and violin | 1912 | Manuscript | ||
| 143 | Concertstück for violin and orchestra | Manuscript | |||
| 143a | Ballade for violin and piano | Manuscript | |||
| 143b | Rhapsody for piano and orchestra in B major | Manuscript | |||
| * | 144 | Suite for two violins and piano | 1913 | Mathot | A. Franceschi-Wexel |
| 145 | Intermezzo for piano | ||||
| 146 | |||||
| 147 | |||||
| 148 | |||||
| 149 | |||||
| * | 150 | Petite Suite for piano "Image d´un pays vu en songe" | 1913 | Mathot | M. Horzsowski |
| 151 | Requiem, for four soli, full chorus and orchestra | 1916 | Manuscript | ||
Werke ohne Opuszahlen | |||||
Symphonien | nach oben | ||||
| 152 | Symphony in E minor | 1893 | Manuscript | ||
| * | 153 | Symphony in C major | 1895 | Simrock | Lajos Kossuth |
| 154 | Symphony in B flat major | 1898 | Alfred Schmid | ||
Opern | nach oben | ||||
| 155 | La Pompadour, Opera in two acts, Libretto by L.v. Ferro and A. Moór after Alfred de Musset, Partition | 1902 | Manuscript | ||
| * | La Pompadur, piano score | 1902 | privately published (printed by C.G. Röder) | ||
| * | 156 | Andreas Hofer, Opera in three acts Libretto by Emanuel Moór, Partition | 1902 | Manuscript | |
| * | Andreas Hofer, piano score | 1902 | privately published | ||
| 157 | Der Goldschmied von Paris, opera in three acts, Libretto by Th. Rehbaum Partition | Manuscript | Anita Moór | ||
| * | Der Goldschmied von Paris piano score | privately published (printed by C.G. Röder) | |||
| 158 | Hertha, Opera in three acts, Libretto by D. Hollins, Partition | Manuscript | |||
| * | 159 | Hochzeitsglocken, Opera in one act Libretto by L v. Ferro, Partition | Manuscript | Dr. Franz Beier | |
| Hochzeitsglocken piano score | Siegel | Dr. Franz Beier | |||
| 160 | Sawitri, Opera in two(?) acts | ||||
| 161 | Alkali Dick, Opera | ||||
| 162 | Vasantasenâ, Počme Lyrique en deux tableaux, Texte de Jean H. de Rosen Partition | ||||
| * | Vasantasenâ, piano score | 1913 | Mathot | ||
Orchesterwerke | nach oben | ||||
| 163 | Consolation for orchestra in E minor | 1887 | Manuscript | ||
| 164 | Funeral March for orchestra in F minor | 1886 | Manuscript | ||
| 165 | Frühlingszauber for orchestra | 1888 | Maniscript | ||
| 166 | Chant Funčbre for orchestra | 1910 | Manuscript | ||
Konzerte | nach oben | ||||
| * | 167 | Concerto for piano and orchestra in D major, Partition | 1886 | Simrock | |
| 168 | Concerto for violin and orchestra in D minor, Partition | Louis Pčcskai | |||
| * | Concerto for violin and orchestra, piano score | Ricordi | Louis Pčcskai | ||
| 169 | Concertstück for viola and orchestra in C sharp minor, piano score | Manuscript | Maurice Vieux | ||
| 170 | Second Rhapsody for cello and orchestra in A major | 1911 | |||
| 170 | Second Rhapsody for cello and piano in A major | ||||
| 171 | Ballade for cello and orchestra in E major | 1914 | Manuscript | Pablo Casals | |
| * | 171 | Ballade for cello and piano | 1914 | Manuscript | Pablo Casals |
| 172 | Suite for piano and orchestra in A major | 1914 | Manuscript | ||
| 173 | Concerto for piano, violin and orchestra | 1911 | Manuscript | ||
| 174 | Concerto for string quartet and orchestra | 1916 | Manuscript | Flonzaley-Quartett | |
Kammermusikwerke | nach oben | ||||
| 175 | Suite pour deux violins | 1914 | Schirmer, N.Y. | Adolfo Betti | |
| 176 | Prelude and Fugue for string quartet in E minor | 1917 | Manuscript | Alfred Pochon | |
Klavierwerke | nach oben | ||||
| 177 | Hungarian Dance in C minor | Manuscript | |||
| 178 | Second consolation in E major | Manuscript | |||
| 179 | Two Improvisations for piano | Manuscript | Miss C. Rogers | ||
| 180 | Suite No.3 for piano in G major | 1910 | Manuscript | ||
| 181 | Transcriptions of Bach´s Organ works: | ||||
| * | Prelude and Fugue in C minor | 1910 | Mathot | Maurice Dumesnil | |
| * | Prelude and Fugue in D major | 1911 | Mathot | Maurice Dumesnil | |
| * | Prelude and Fugue in E minor | 1910 | Mathot | Maurice Dumesnil | |
| * | Prelude and Fugue in A minor | 1910 | Mathot | Maurice Dumesnil | |
| Fantasie and Fugue in G minor | 1910 | Mathot | Maurice Dumesnil | ||
| 182 | Sonata for piano in B flat major | 1911 | Manuscript | ||
| 183 | Quatre pieces pour deux pianos | Manuscript | |||
| * | 184 | Improvisations on a theme (Variations) | Manuscript | M. Horzsowski | |
| 185 | Three Impromptus for piano | Manuscript | |||
| 186 | Sixteen Preludes for piano | Manuscript | |||
| 187 | Suite for piano | 1916 | Manuscript | ||
| 188 | Théme Héroique for piano in E flat major | Manuscript | |||
Violinkompositionen | nach oben | ||||
| * | 189 | Danza caratteristica for violin and piano | Ricordi | Louis Pčcskai | |
| * | 190 | Preghiera for violin and piano | Ricordi | Louis Pčcskai | |
| * | 191 | Canzone D´amore for violin and piano | Ricordi | Louis Pčcskai | |
| 192 | Csardas for violin and piano | ||||
| 193 | Ballade for violin and piano in B flat major | Manuscript | R. Kubelik | ||
| 194 | Prelude No.2 for violin and piano in A major | Manuscript | R. Kubelik | ||
| 195 | Ballade for violin and piano in D major | 1916 | Manuscript | ||
Violakompositionen | nach oben | ||||
| * | 196 | Romance for viola and piano | 1895 | Manuscript | |
Cellokompositionen | nach oben | ||||
| 197 | Aria for cello and piano | 1900 | Manuscript | ||
| * | 198 | Elegy for cello and piano in G minor | Privately published | A. Brandoukoff | |
| 199 | Hungarian Rhapsody for cello and piano | Manuscript | M. Caponsacchi | ||
| 200 | Sonata for cello and piano in E major | 1913 | Manuscript | ||
| 201 | Sonata for chromatic harp or piano and cello in A minor | 1908 | Manuscript | ||
Konpositionen für Chromatische Harfe | nach oben | ||||
| 202 | Suite for chromatic harp in C sharp minor | Manuscript | Gustave Lyon | ||
| 203 | Concertstück for harp | Manuscript | |||
| 204 | Etude for harp in A major | Mathot | Pierre Bertheaume | ||
| * | 205 | Suite for four harps | 1910 | Manuscript | |
Lieder | nach oben | ||||
| * | 206 | Zehn Lieder | Alfred Schmid | ||
| (1: Steiget auf, ihr alten Träume (H.Heine) | Anita Moór | ||||
| 2: Prinzessin Ilse (H.Heine) | Lilian Henschel | ||||
| 3: Kindleins Trost | Lady Jenner | ||||
| 4: The two ships (Bret Harte) | Ella Lucchesini | ||||
| 5: Seemannsgruss L. v. Ferro) | Clara Fesca | ||||
| 6: Palmen unter meinem Fenster (L. v. Ferro) | Clara Fesca | ||||
| 7: Nun störet die Ähren | Catherine Rogers | ||||
| 8: Lieb Seelchen, lass das Fragen (Hans Hopfen) | Anita Moór | ||||
| 9: Mädchen denkt... (Petöfi) | Nelly Brodmann | ||||
| 10. Wie das Weltall (Petöfi) | Nelly Brodmann) | ||||
| * | 207 | Drei Duette für Sopran und Alt(L. v. Ferro) | Alfred Schmid | Eugenie Joachim | |
| (1: Öd und leer, grau und schwer | |||||
| 2: Seliges Wiedersehn | |||||
| 3: Als der Ruf der Trommel erklang) | |||||
| * | 208 | Zwei Lieder im Volkston | 1899 | Alfred Schmid | |
| (1: Es blühet ein Veilchen (Rudolf Fastenrath) | |||||
| 2: Vorüber (Johanna Ambrosius) ) | |||||
| 209 | Nine Songs German and English words | 1888/1894 | Manuscript | ||
| 210 | Fünfzehn Lieder German words by Goethe, Heine Eichendorff, Hebbel, Nietzsche, v. Ferro | Manuscript | |||
| 211 | Fourteen Songs Words by Anita Moór | Manuscript | |||
| 212 | Eleven Songs, words from the Bible | Manuscript | |||
| 213 | Nine Songs, words by Fletcher, Shakespeare, Herrick, Anon. | Manuscript | |||
| 214 | Six Songs, words by Byron, Browning, R.L. Stevenson, Keats, Kipling | Manuscript | |||
| 215 | Gitanjali, Nos. 15 and 19 Words by Tagore | Manuscript | |||
| * | 216 | Rest unending, song | 1918 | Ad. Henn, Genčve | Suzy Heer |
| 217 | Vision, song | 1900 | Manuscript | ||
| * | 217a | Ave Maria, song | 1918 | Ad. Henn | Wieslawa Cichowicz |
Chorwerke | nach oben | ||||
| 218 | Spring Song for Solo Quartet or Chorus | Manuscript | |||
| 219 | Roi, for Solo, Chorus and orchestra | 1912 | Manuscript | ||
| 220 | Anthem, "Benediction" for Duet or two - part Chorus, piano or organ | 1914 | Schirmer, N.Y. | ||
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| Emanuel Moór |
| Impressum letzte Aktualisierung: Januar 2009 |
Kontakt |